Kamil Mizgala (@kamilmizgala)

Galeria Szczur invites you to the exhibition “Play”, presented as part of this year’s Warsaw Gallery Weekend. “Play” explores play as a fundamental mode of being – comic and anarchic, subversive and joyful. The exhibition reflects on the absurd embedded in everyday life, the fluid relations between objects, and the continuous flow and exchange of energy. It creates a space where art becomes an experiment, and play – a tool for discovering new forms of existence. Producer: Grzegorz Śliwiński Curator: Kamil Mizgala Artists: Jan Baszak, Stan Buglass, Daniel Dąbrowski, Linda Lach, Brad Nath, Kuba Stępień, Agnieszka Topolska, Klara Woźniak, Andrzej Staniek 19–28 September 2025 Inwestycja “Na Okrzei” (Matexi), ul. Okrzei 27, Warsaw Image: Brad Nath, „Dog (Snow)”, 2023

USING OUR HAIRY TALES @delfiniunia, @karolinamelnicka, @kamil__wesolowski, @apkvp, @tildgreene, @_xphiles curator: @kamilmizgala Exhibition open until April 2. 📸: @filipstalewski

LETZTRAUM by @janbaszak at @ckzamek, curated by @jagnadomzalska & @kamilmizgala, is open until July 27th. The sun falls on tearful muzzles. The gazing, glazed-over eyes have found peace. These are not new beings, but old forms carrying the shadows of species. Memories of hooves, fur, tails. They are trying to understand more and more. 📸 @filippreis

Intercepted Breaths ᴘʟ Wystawa bada sposoby, w jakie cielesność zwierzęca zostaje wciągnięta w obieg przemysłowej produkcji, opieki i wymiany, stając się towarem, usługą, a także odpadem. Przestrzeń ujawnia ukryte relacje między afektem, funkcją biologiczną i ekonomią, gdzie mleko bez matki i oddech bez ciała stają się symbolami nieodebranej troski i wymuszonej produktywności. Wystawa dokumentuje abiektalne ślady przemysłowego rozrodu i spekuluje o możliwościach tworzenia nowych kompozycji afektywnych – poza systemem, który już dawno przejął ciała. ᴇɴ The exhibition explores the ways in which animal corporeality is drawn into the cycle of industrial production, care, and exchange, becoming a commodity, a service, and also waste. The space reveals hidden relationships between affect, biological function, and economics, where milk without a mother and breath without a body become symbols of unclaimed care and forced productivity. The exhibition documents the abject traces of industrial reproduction and speculates on the possibilities of creating new affective compositions—outside the system that has long since taken over bodies. osoby artystyczne / artists: Agnieszka Grodzińska @anezka_grodzinska Marek Wodzisławski @marek_wodzislawski Klara Woźniak @klara.wozniak Weronika Zalewska @werozalewska zespół kuratorski / curatorial team: Jagna Domżalska, Kamil Mizgala Galeria Promocyjna @promocyjna Rynek Starego Miasta 2, Warszawa

TWO-HEADED GOAT BY JAN BASZAK Part of the solo exhibition «Letztraum». «For those who are simultaneously asleep and awake, between species, between the complete and the incomplete. A celebration of the non-normative and the unfinished. It evokes fragmentary subjectivities. It is an attempt to attain shared consolation. A reminder of the possibilities of a new, non-binary existence. These are not new beings, but old forms carrying the shadows of species. Memories of hooves, fur, tails. They are trying to understand more and more». Artist: @baszakjan Curator: @jagnadomzalska @kamilmizgala Curatorial support: @de9ren9olada Photo: @filippreis @ckzamek / @rezydencje_artystyczne_ckzamek, until July 27, 2025.

“Letztraum,” a solo exhibition by @baszakjan, curated by @jagnadomzalska and @kamilmizgala with a curatorial support by @de9ren9olada , is on view at @ckzamek. The exhibition is the result of an artistic residency @rezydencje_artystyczne_ckzamek. "Foal" (2025) Materials: wood, upholstery foam, worn black socks, glass eyes Dimensions: 158 cm x 180 cm x 68 cm "Pigeon" (2025) Materials: wire, upholstery foam, worn brown socks, glass eyes Dimensions: 20 cm x 28 cm x 14 cm 📷 @filippreis

USING OUR HAIRY TALES @delfiniunia, @karolinamelnicka, @kamil__wesolowski, @apkvp, @tildgreene, @_xphiles curator: @kamilmizgala 🤳🏻: @filipstalewski

USING OUR HAIRY TALES @delfiniunia, @karolinamelnicka, @kamil__wesolowski, @apkvp, @tildgreene, @_xphiles curator: @kamilmizgala 📸: @filipstalewski

I had the pleasure of writing a text for the SUPERMASA exhibition @katarzyna_feiglewicz and @marek_wodzislawski at @whoispolagallery THX 🤳🏼 @bartos2gorka

𝓐𝓛𝓦𝓐𝓨𝓢 𝓢𝓞𝓜𝓔𝓞𝓝𝓔 𝓔𝓛𝓢𝓔 𝓓𝓘𝓔𝓢 Czaro Malinkiewicz @czaromalinkiewicz Marek Wodzisławski @marek_wodzislawski Mikołaj Sobotka @nieeedzielka Nebula Puff [C] @nebulapuffc Zuza Piekoszewska-Smith @zuzapiekoszewska Exhibition: Nov 23, 2024 — Jan 17, 2025 Curator: Kamil Gustaw Mizgala @kamilmizgala „The exhibition manifests the life inherent in matter. It uses the dead to explore the real. It reaches for the deadness of bodies as a specific state that proves visually appealing, allowing a shift from aesthetic reflection to ontological reflection. Dead bodies cause the boundary between culture and nature to disappear, becoming an integral part of the world-making process. The remains become an entity — a kind of meta-community, which, in the eco-nekro view, has the power of making itself.” 🤳🏻 @adam_gut

filthy choir @apkvp & laminate @marek_wodzislawski will be presented as part of the Open the Portal exhibition at the 44th Maria Dokowicz Competition for the Best Diploma Project at Magdalena Abakanowicz University of the Arts Poznan @uap_uczelnia opening: 08.11. 19:00 Słodownia @starybrowar

Kamil Mizgala (@kamilmizgala)

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