Rajan Bijlani (@rajanbijlani)

For all enquiries or to schedule a visit to the collection, please contact hello @rajanbijlani.com Image courtesy of Mark Anthony Fox & The Financial Times.

Study Miyoko Ito, Monongalhela (1961) Pierre Jeanneret, Clerk Desk (1955) & Cane Bench (1960) Rene Lalique, Chandelier (1929) 📷 @oskar.proctor

A rare coffee table by Pierre Jeanneret from a private home. Chandigarh, India (c1960) 📷 @oskar.proctor

Drawing Room Pierre Jeanneret High Court Chair (c1956) Coffee Table (c1960) Rattan Chairs (c1956) 📷 Oskar Proctor

@ranabegumstudio and @lubnachowdhary , two exceptional artists who we were fortunate enough to have grace an exhibition we held last month have kindly donated works for @msf_uk If you’d like to be part of this effort, you still can by bidding or donating works until the 1/12 at @artist_fundraiser Image 1 & 2: Rana Begum, No 1261 T Reflector (2023) & No 969 L Reflector (2023) Image 3 & 4: Lubna Chowdhary, Marker 29 (2022) & Certain Times XLIX (2019) 📷 Genevieve Lutkin Please note the above works are not part of the fundraiser. Thanks

‘I have spent many days stringing and unstringing my instrument, while the song I come to sing remains unsung‘ The above quote from Rabindranath Tagore’s poem Gitanjali (1910) has always been a line I have returned to when thinking about opening an exhibition at my home, Fonthill Pottery. I can’t express how enriching and rewarding the past four weeks have been. I’ve had the fortune to meet students, artists, gallerists, architects, designers, collectors, historians, neighbours, writers, members of the public, curators and directors of museums. I feel both honoured and humbled to have received your support, reception and warmth. The real credit goes to the incredibly talented artists, gallerists, co-curators @trulsblaasmo & @lofteson , graphic designer @cashandcarrystudio , photographer @genevievelutkin and logistical wizard @lisavigoni @harminderjudge @thesundaypainter @lubnachowdhary @jhavericontemporary @ranabegumstudio @katemacgarry @vipeksha @tristanhoare @tanya_ling @netrabile @andrewrafaczgallery In parallel, to the phenomenal design team who collaborated with me on my home - @sicardi , @madebygregcox & @edwards_wilson From the bottom of my heart thank you for entrusting your works, kindness, incredible talent and allowing me to realise a vision I’ve had for over a decade. And a thank you to @two_poems and @roseuniacke , always so kindly available to support with styling objects. Also, a very big thank you to the @friezeofficial, @charleneprempeh @aryanak & Dina Andrzhechyk. And to the @ruinart team, @fabienvallerian & @tashwellesley for co-hosting two events with delicious catering by @smokeandlime & @rosechalalai Finally, a huge thank you for the unwavering support from the press handled by @mattvines and @neen.__ A snippet of exposure that all the above artists, designers and curators no doubt deserve. This was a verse of a song I’m sure will take a lifetime to sing. I look forward to singing more with you in 2025. With love, Rajan Image 1: From @wallpapermag link in bio

Thank you @theworldofinteriors, @alice__inggs and @gianlucalongogg for your words on Chandigarh and the project I worked on with Loro Piana Interiors @loropiana earlier this year Link in Bio Image 1: Pierre Jeanneret Square Zinc Table (1960) & Rattan Chair (1955) Image 2: Pierre Jeanneret Office Chairs (1955) Image 3: Pierre Jennret Cross Office Chair (1955) with Loro Piana Interiors Vicuña Chestnut cushion With thanks @mattvines 📷 Oskar Proctor

Thank you @wallpapermag and @dalchodha for the expertly written article on Syncretic Voices. Link in Bio Harminder Judge on view until 10th November To attend, please email rsvp @rajanbijlani.com Co-curated by Truls Blaasmo @trulsblaasmo & Michael Jefferson @lofteson Image 1: Harminder Judge, A ghost dance (a composition 2) (2024), Pierre Jeanneret, Cane bench (1956) Image 2: Harminder Judge, Untitled (wrist over chair) (2024), Pierre Jeanneret Commitee Chair & Clerk Desk (1955) 📷 Genevieve Lutkin with thanks @mattvines @neen.__

Vipeksha Gupta’s quiet and meditative abstractions on view until 1st November at Syncretic Voices. To attend please email rsvp @rajanbijlani.com Co curated by Truls Blaasmo @trulsblaasmo and Michael Jefferson @lofteson Image 1: Vipeksha Gupta, Untitled IV (2024), Pierre Jeanneret, Demountable Chair (1955) Image 2: Vipeksha Gupta, Untitled VIII (2024) 📷 @genevievelutkin

Thank you @nytimes for an interview on Syncretic Voices, an exhibition of art and design in the South Asian diaspora, on view until 1st November at my home. Please see the link in bio To book an appointment, please email rsvp @rajanbijlani.com With thanks @shivanivora78 @mattvines @trulsblaasmo @lofteson 📷 @genevievelutkin

Rana, Harminder & Soumya have stopped by to hang with René, Joseph & Pierre until the 1st November. Syncretic voices, South Asian art with historic design in a domestic setting Open until 1st November Hope you can too, please email to book an appointment rsvp @rajanbijlani.com Co-curated by Michael Jefferson @lofteson & Truls Blaasmo @trulsblaasmo 📷 Ollie Tomlinson Image: Rana Begum No 1260 B Reflector (2023) Soumya Netrabile, Holda’s Garden (2021) Harminder Judge, Untitled (wrist over chair) (2024)

Rajan Bijlani’s collection of Pierre Jeanneret pieces from the Indian city, Chandigarh on view at Syncretic Voices, Art & Design in South Asian Diaspora To book please email rsvp @rajanbijlani.com Co-curated by Michael Jefferson @lofteson & Truls Blaasmo @trulsblaasmo Image 1: Dining Table (1960) & Office Chair (1955) Image 2: Cane Bench (1956) & Demountable Chair (1955) 📷 Oskar Proctor