Lampoon (@lampoonmagazine)

Roma Moderna Photography Romain Laprade @romainlaprade Romain Laprade joined us in Rome to explore rationalist, modernist buildings – an unexpected imaginary for Italy’s capital. @lampoonmagazine is a cultural magazine. There is no artistic, narrative, or curatorial expression that makes sense today unless it asks how we can live together without harming one another. Without thinking about how we’ll be living in July 2040. Nowadays culture means sustainability.

Colliding with the Walls New York City, USA The new Lampoon #31 - The Independence Issue is out photography Rebekah Campbell @rebekahcampbell styling Cece Liu @cc_looo @jonesmgmt fashion Balenciaga SS25 @balenciaga talent Tilda Lindstam @tildalindstam @imgmodels makeup Whittany Robinson @whittanyrobinson @streetersagency hair Anton Alexander @_antonalexander @streetersagency casting Brian Helm @briansoquiche @helmcasting production May Kielany @mfkprojects photography assistant Abdul Kircher @kircherabdul styling assistants Silvia Lee, Jena Beck @jena_beck and Gia Cronin production assistant Mike Lighston @lampoonmagazine is a cultural magazine. Lampoon seeks the rough in fashion, design and art linked to sustainability. Nowadays culture means sustainability.

Head over Heels photography Dexter Lander @dexterlander styling Sven Gex thanks to Alice Grosjean @lampoonmagazine is a cultural magazine. Lampoon seeks the rough in fashion, design and art linked to sustainability. Nowadays culture means sustainability.

Giorgio Armani confirmed what might sound absurd to anyone in his field, when he repeated once again that clients must be taught to buy less. Armani defined a responsibility for the entire luxury industry: for luxury to be strong again, it must be ethical. The dazzle is for luxury – but Giorgio Armani might just keep on smiling at it. Even today, that he passes away. In 50 years of activity, Giorgio Armani has replaced every dazzle with a gentle gesture. In 50 years of applause, Giorgio Armani has codified Milan’s style into fashion. Clothing, design, furniture. Armani’s mood is about balance; a balance built on consistency. Milan’s style is rationalism – born with the Italian Master Architects – Piero Portaluppi and Gio Ponti, it was consolidated by Ignazio Gardella, Luigi Caccia Dominioni, and Vico Magistretti. Milan is Alessandro Rimini’s Rubanuvole, the Pomodoro’ Sole in Piazza Meda, facing the Chase Manhattan Bank by BBPR studio at the corner of a street named after a bookstore – Hoepli. On Milanese style, Giorgio Armani calibrated his own code and managed to place it across the world. Mr. Giorgio Armani used to climb to the fourth floor of Via Bagutta and enter my grandmother’s home – with Ms. Carla Fracci. Everyone would have wanted to be there – me too, though I was just a newborn. They say that the game of invitations, so common today in this digital society, didn’t exist in that intellectual society of Milan. Word of mouth would have been the winning card – as it still is, the strongest form of communication – meaning when you have a strong project, you can remain silent and let others speak for you. Giorgio Armani dies at 91. Words Carlo Mazzoni Lampoon Editor in Chief the complete text online LampoonMagazine.com #GiorgioArmani #SignorArmani

What does “editorial” mean? Definition of an overused word. The essence of the editorial concept is this: the priority belongs to the author, not the client – the editor is the one who guarantees that priority to the author, through the coherence of the message the editor wants to convey. In a magazine like Lampoon, as in other independent publications, photographers, stylists, and creatives involved must be free to do what they believe in. image 1, Lampoon #28, Working issue, photography Steve Marais image 2, Lampoon #20 Fluido photography Elizaveta Litovka image 3, Lampoon #28, Working issue, photography Maxime Bellesteros image 4, Lampoon #28, Working issue, photography Gianmarco Onofri image 5, Lampoon #20, Fluido issue, photography Rebekah Campbell image 6, Lampoon #26, Ruvido issue, photography Ruggiero Cafagna image 7, Lampoon #14, We are family issue, photography Josh Hight image 8, Lampoon #26, Muscles issue, photography Spyros Rennt LAMPOON the Cultural Magazine about Sustainable Thinking We want reaction, conviction, illusion.

Venice lives through its three port mouths: Lido, Malamocco and Chioggia. They are thresholds where sea and lagoon meet, places of exchange and fragility. “I decided to move along the so-called port mouths – Lido, Chioggia and Malamocco. Areas too often forgotten but of relevance.” Their function is hydraulic, ecological, symbolic — vital to the balance of the lagoon. Matteo de Mayda documents them with a different gaze: no gondolas, no monuments, but fog, currents, sandbanks, barriers. “During the production of this work I scattered my mother’s ashes in the lagoon.” That intimacy blends with critique. “Overtourism is without doubt a central issue… it is right to raise awareness by showing out-of-control conditions that are the order of the day.” His photographs slow down the image of Venice, shifting attention from the postcard to the ecosystem. “I care deeply about identifying the city with the lagoon, because it makes it what it is at its core.” Nature reclaims its role. “It is a territory of continuous negotiation, where nature regains space and finds new balances.” Lampoon is research-driven, not trend-driven Editorial work guided by inquiry and depth

San Corrado di Noto: a converted agricultural complex in Contrada Belludia, near Noto, Sicily. Originally an 18th-century masseria owned by the Nicolaci family, the site was redeveloped over three years into a hospitality structure composed solely of suites and villas. Lampoon The Cultural Magazine about Sustainable Thinking

Zantedeschia The name of the genus was given as a tribute to Italian botanist Giovanni Zantedeschi (1773–1846) by the German botanist Kurt Sprengel (1766–1833). dress Richert Beil @richertbeil jewelry Cartier @cartier Photography Boris Ovini @boris_ovini fashion and creative direction Niki Pauls @nikipauls talent Charlotte Tomaszewska @charlottetomas @girlmgmt production Alix Murat @alix.murat and Lola-Lou Feriko-Mariko @lalou.Derik at KO Collective @ko_collective casting Jordan Mergirie @jordanmergirie set design Vuk Lekovic @vuk__vuk hair Nelson @nelson_hairstylist makeup Hind Sousan @hind__sousan using Mac and MakeupForever thanks to Pulp Studio Paris Lampoon RUVIDO the rough in fashion, design and art

In many parts of the world, sex work exists in legal limbo. Even where partially decriminalized or tolerated, workers remain unprotected by labor laws, excluded from healthcare systems, and criminalized by proxy. For decades, sex workers have demanded visibility—not as fantasy objects, but as laborers entitled to safety, contracts, and autonomy. photography Daniel Roché @studioroche styling Niki Pauls @nikipausl Lampoon #25, Transparency issue. Lampoon is polarizing It connects with those who share its cultural and sustainable vision

Capri is a violent mountain where blooming lemons hang over rocky abysses, and one soars above the horror of vertigo. Punta Tragara was built to endure. @puntatragarahotel Lampoon Sustainability is our sole obsession and editorial commitment.

London is classified as a “National Park City,” with around 47% of its area covered by green space and over 8.4 million trees. Public green space includes more than 3,000 parks, commons, heaths, and gardens—among them Richmond Park, Hampstead Heath, and Victoria Park. Photography Lorenzo Zandri @lorenzozandri Lampoon #22, Commitment issue. @lampoonmagazine is a cultural magazine. We want reaction, conviction, illusion. Nowadays culture means sustainability.

يسنوتلا يعارلا (el-rāʿi el-tounsi) The Tunisian Shepherd Tunisia. A place disconnected from the global cycle — raw, exposed, without noise. Photographer Akila Berjaoui: “This is not about aesthetics. It’s about cutting through everything that distracts. Dropping the weight. Returning to what’s functional. What’s left when nothing is designed to sell. No advertisers. No trend reports. No seasonal direction. Just what’s already here — reused, reworked, reassembled. Clothes found in markets, nothing made new. The act is in the choosing and the documenting. This is a proposal to look again. No styling. No editing. No alignment. The message is not beauty. It’s not nostalgia. It’s clarity. This is what remains when you strip out the decoration, the profit, the noise.” Photography and styling Akila Berjaoui Talent Clement Laguardia Lampoon works with designers, architects, and cultural figures A magazine shaped through collaboration, not trend