Greenwood Cinema Rentals (@greenwoodcine)

Say hello to Team Greenwood of the Beyond Film School Short film Challenge! They did an amazing, I liked visiting their set - they went big with shooting right near the Queens Museum! It literally was the hottest day in weeks too - them shooting outside and then a crazy storm comes in! Great job Team! Team Leader: James McConnell Producer: Samir Abdelall Writer: Scarlett Ramos Director: Noah Yeboah DP: Tabitha Ramirez AD: Kelsey Zhen

🔬 @dzofilm X-Tract 18-28mm T8 FF Probe Zooms ✨ The new DZOFilm X-Tract Probe Zoom lenses have arrived and in each variety: the new 360° version which has periscopic view, 0° direct view and 90° right-angle view. We are among the first in NYC to receive all three versions and they are ready for your next production! These lenses are an evolution to other probes in the market, especially due to the ROTATING RING which allows you to basically barrel roll the entire lens with great control. Each lens has an extremely close manual focus of 0.24” and is suited for large depth of field shots at its T8 max aperture. Optically the lenses are perfectly parfocal allowing you to do DOLLY ZOOMS at the macro level, even underwater if needed. Although the zoom is technically very wide for FF, the lenses have ±2% distortion control! This is crucial for a wide angle zoom as many FF zooms suffer from distortion differences through the range. Creep zooms at the probe level is now possible! Each lens comes with different O-Rings which allow you position lens supports anywhere in the system. Additionally each lens comes with a front UV filter as a way to protect the front lens element from any debris, blood, spit, water or gunk that comes its way. #dzofilm #probe #dzofilmxtract #dzofilmprobe #xtractprobe #probelens #pictorzoom #cattazoom #lenses #cinemalenses #cinematography #camdept #filmmaking #filmmakers

The wait is over, the Bolex H16 EBM S16 Film camera from @ofgcustoms is here! 😏 Finally the Bolex on steroids comes outfitted with fully internalized power through the micro gold mount plate, 3-Pin R/S port, R/S Rosette Handle, HD IVS Tap with SDI port, and 2-Pin Power Ports on the rear and operator side. OFG Customs also upgraded the 15mm LWS brackets to feature a smaller, lighter setup and improved thumb screws for quicker adjustments and a tighter lock. Additionally, the custom battery plates now include integrated crystal sync for 23.98, 24, and 25 fps — ideal for syncing to playback during music or vocal shoots. This may be the smallest and lightest Super 16mm film camera available with crystal sync and a modern video tap — to be used with a number of different setups due to its size. Paired with the custom 15mm LWS rod support, it easily accommodates matte boxes, follow focus systems, and accessories. We have a number of prime and zoom options for S16. Lenses featured are the Elite MK-IV 6.6mm, Century Optics Series 2000 4.5mm and ARRI Ultra 16 6mm. #bolex #bolexfilm #filmisnotdead #film #filmphotography #filmcamera #super16 #vintagelenses #arri416 #arricam #arriflex #aaton #s16film #35mmfilm #bolexcamera #filmmakers #cinematography #cinematographer

2-PERF and 3-PERF AATON PENELOPES 🎞️🎞️🎞️ The first 35mm motion picture camera designed as a switchable Techniscope 2-Perf to 3-Perf 1.78:1 is here to stay in NYC. Greenwood Cine is proud to announce that we have two Penelopes with 2-Perf and 3-Perf movements. No need to wait to switch up movements! Want to shoot in 2-Perf? Get up to 9 minutes of runtime in one 400’ Magazine with the 2.35:1 Ground Glass (twice the runtime of 4-Perf). Want to shoot in 3-Perf? You’ll be able to get almost 6 minutes of runtime with the same 400’ Magazine. The Penelope has a sharp bright viewfinder, a truly flicker-free progressive video tap (SD and HD) and is whisper quiet compared to other 35mm motion picture cameras. We have D-Tap power solutions for all your accessories and their native batteries will run longer than you think. Movies shot in the 2-Perf format with Aaton Penelope: The Fighter (2010), First Man (2018), Sound of Metal (2019). Weighing 17 lbs, the Aaton Penelope is a ready to give you the long-established quality of 35mm film with the mobility of a Super 16 camera. These cameras are extremely rare and we are happy we are able to offer these to filmmakers and creatives in our area. #aaton #aatonpenelope #35mm #35mmfilm #motionpicturefilm #kodak #kodakshootfilm #aatonXTRprod #aatonfilm #arri416 #arricam #arrilite #arri #arricamLT #arriflex #aatonxtr #aatondigital #aatoncamera #vintagecamera #vintagelenses #filmmakers #filmmaking #cameradept

NEW WORK // The second of two projects shot within 36hrs. Fading Away directed by @francis_45678 & Yimiko. 10 pages shot in about 10hrs. Lots of fun figuring out lighting and framing on this especially when it fell into nighttime but we had to still make it look like early morning for the scenes. Huge thanks again to the amazing cast and crew, everyone was wonderful to work with. Thank you to @greenwoodcine for the wonderful Cooke Speed Panchros again too!! Shot on @reddigitalcinema Komodo X with @cookeoptics Speed Panchro primes Talent: @georgerossbridgman @mad_hodges @tanner_ethan Director: @francis_45678 & Yimiko Producer: @hsi._.cheng 1st AD: @d.b_p.q DP: @themrkenny Gaffer: @nateairey Key Grip: @riemer_karl 1st AC: @jasonraswant Sound Mixer: @alfredgiancarli Production Designer: @iamyameng Art Director: @friedafoxx_ Wardrobe Designer: @jessica.zixia Editor/Colorist: @francis_45678 #r3d #redkomodox #cookelenses #cookespeedpanchro #nycfilm #nycfilmmaker #aputure #musicvideo #shotonred #davinciresolvestudio #smallhd #aputure #nanlite

After a long hiatus, the Minolta Rokkor Rehoused @gl_optics are back and ready for your next production! Our current Minolta lineup covers wide selection lenses, both MC and MD versions, starting from the latest 17mm, all the way up to 200mm. These full frame still lenses were produced in Japan in the 60s and 70s. Now 50 years later, Minolta Rokkors are now available to filmmakers for cinema use, thanks to the customized GL Optics Mark 5 cinema housing. As many 35mm photo shooters know these full-frame still lenses have stood the test of time. Designed for cinematographers seeking rich, vibrant imagery with incredible clarity, these lenses also introduce subtle texture, adding a unique vintage character to every shot. Like Canon Rangefinders, Canon FDs and Olympus OM primes, they produce stunning, expressive flares that surpass those of modern lenses. Their lightweight construction and advanced focusing system make them an essential tool for filmmakers. This 12-lens collection features 110mm fronts, PL mounts, consistent gear positions, a 330-degree focus throw, newly designed circular irises, and significantly improved close focus on most focal lengths. For bookings rentals @greenwoodcine.com Frame credit: “Deeply in Love” by Role Model “Neon” Season 1 Trailer Netflix “Catch Me” McKenna Grace #minoltarokkor #minolta #gloptics #tls #whitepointoptics #vintagelens #vintagelenses #dreamlens #canonrangefinder #canonk35 #canonfd #cameradept #filmmakers #filmmaking

⬆️ REHOUSED LOMO SQUARE FRONT 2x ANA ⬆️ Improved close focus, clip-on matte box friendly, standard focus/iris gears is the reason why our rehoused LOMO Square Front lenses are the top of the line mechanically in vintage anamorphics. We recently received these new rehoused lenses which are modern mechanically, but retain their classic characteristics - making them reliable for contemporary filmmaking. These lenses are ideal for creating a nostalgic and artistic look on modern productions. Lenses include the 35mm faster version (T2.5) and 50mm, 75mm (T2.4) - both with a 114mm outer diameter which work amazing with clip-on matte boxes. The classic anamorphic look including the oval bokeh, horizontal flares, and unique vintage warm tone are reasons why these lenses have stood the test of time. Now with the enhanced mechanics, iris pulls are easy to accomplish which were not possible with the unrehoused versions - and you can viably pull these lenses by hand they are that smooth. The 50mm has improved closed focus by around a foot as well! For bookings rental @greenwoodcine.com #lomoanamorphic #anamorphic #anamorphicshooters #lomo #lomosquarefront #lomography #cinematographer #cinematography #directorofphotography #cameradept #filmmaker #filmmaking #filmmakersworld #anamorphiclenses #cinelenses #vintagelenses

COOKE SP3 FF PRIMES E & M MOUNT 😍 Who’s ready to bring compact modern mechanics to cameras like the @djiglobal Ronin 4D, FX3 as well as Alexa Mini LF and Alexa 35? We are! Boasting 6 focal lengths from 18 to 100, the full frame @cookeoptics SP3 lenses are perfect for gimbal and drone use. This is Cooke’s first endeavor into mirrorless size lenses and they’ve assured that their lenses are capable of matching their Panchro/I lenses. Along with the interchangeable mounts and tough anodized shells, all lenses share the same focus and iris mechanics, which allow for easy lens changes and less fussing with motor positions. Cooke also boasts about the SP3’s ability to “organically captures specular flaring and veiling glare” which paired with their single coating - give cinematographers the Cooke look in small form factor. All lenses come with Duclos step up rings, capable of fitting a 80mm back Matte Box or 77mm threaded filters. Don’t be afraid to ask to test this set with any E Mount camera or ARRI camera in M Mount. For bookings rentals @greenwoodcine.com #cookesp3 #cookes4 #cookeminis4 #dji #cookes7i #cooke s8i #cookeoptics #fullframe #cinematographer #cinematography #cinelenses #directorofphotography #cameradept #filmmaking #filmmakers #filmmakinglife

FUJIFILM GFX 100 II Medium Format Mirrorless Camera 📷 camera kit built for filmmakers with PL and LPL mounts. Coming in at a staggering 43.8mm x 25mm sensor size in 17:9 4K UHD - the GFX 100 II is an evolution in beyond full frame format. Along with a stellar OLED EVF, the camera has the ability to record uncompressed 12-bit externally to an Atomos Ninja Ultra monitor, shoot 60 fps in 4K and even desqueeze 8K Anamorphic (albeit with a 1.24x crop). Blackwing Tribes, Speedboosted Mamiyas, Kowa Rs, Mercury Anamorphics, Leica Rs, Arles are some of the lenses that fully cover the GFX among most focal lengths. Although it is a medium format camera, it is as big as 65mm which does open the door for some non-65mm focal lengths to cover! In order to educate the masses, we’ve added the image circles of all of our lenses to our website! We also notate which focals of a certain set cover the GFX 100 II / ETERNA. Note: Ø45.0mm image circle or bigger is recommended for this format but please always test as vignetting may appear close to infinity that does not appear at close focus! To round out the kit we’ve included a MID49 Camera Cage which allows access to the OLED EVF and EVF Tilt Bracket (unlike all other cages), MID 49 Lens adapter support (eliminates mount play), XLR Audio Breakout, 15mm Micro Gold Mount Plate, PL Mount, LPL Mount and the optional Ninja Ultra 4K Recorder Monitor. Available for bookings rentals @greenwoodcine.com #fujinon #fujifilm #fuji #fujifeed #fujifilmnorthamerica #fujigfx #fujigfx100ii #gfx100ii #cinematography #directorofphotography #vscocam #vsco #filmproduction🎬 #filmmakers #filmmakerslife #truelensservices #cinemalens #vintagelens #leica #atlasanamorphics #cameradept

Blackmagic Design PYXIS 6K @blackmagicnewsofficial A Rehoused Lomo Square Front Anamorphic and @whitepoint_optics Rehoused Canon FD lens dress the new iteration of the Blackmagic Full Frame camera line, but this time finally in an ergonomic “box” shape style. A couple features include Open Gate 3:2 shooting (something even the SONY BURANO doesn’t have), robust aluminum body (improvement over pockets), the new addition of a new 5” external monitor (still backordered 😭), dual 12G SDI port, Ethernet connectivity, and 13 Stops of Dynamic Range. For our kits, we have L-Mount bodies with the ability to switch from PL to EF easily. We went with MID49 Cages which allow lens adapter support rods in order to get rid of unwanted play in the mount. Cameras also come with the @mid49accessories side cage and A-Box, Core SWX Micro Gold Mount Plate or IndiPro Sony NPF to V-Mount. We also stock the @coreswx M-Series U98X batteries which can be natively used with the body and give you 1x USB-C Power Delivery & Charging and 1x 12V SMBUS D-Tap Accessory Port. Although the rolling shutter and dynamic range are not exceptional, the price point definitely makes it a worthwhile contender in the Sony FX3/FX6 space and is Blackmagic’s most versatile camera body to date! For bookings contact rentals @greenwoodcine.com #dop #directorofphotography #cameradept #cinematography #cinematographer #cinemalens #lomo #canonfd #lomoanamorphic #blackmagicdesign #blackmagic #blackmagicpyxis #pyxis #vintagelenses #vscocam #vscogood #canonk35 #whitepointoptics

💥 DZOFILM ARLES FF/VV PRIMES💥 DZO’s first entry into the wide/fast aperture game (faster than T2) is astounding based on its price and availability. Yet it’s the set’s inexistant focus breathing and massive improvement on chromatic aberration - compared to Pictors/Vespids - that will set it apart from the rest. While not as clinical as Sigma High-Speed Primes, the organic look of the Arles coupled with the smooth focus fall-off make this set attractive to a number of video styles. Wide open @ T1.4 they do not fall apart sharpness wise as some other “affordable fast lenses.” Definitely worth having a focus puller / focus assist system shooting wide open as the falloff will be tricky to master on the Vista Vision format! Some people might call them baby Signature Primes and while they still have a long way to go to achieve the visual mastery of ARRI, this can hold up as a B-Cam option - maybe better if paired with a BM PYXIS 6K. Lenses are definitely the heaviest and most robust focals that DZOFILM has made and we would have to recommend using lens supports on smaller cameras. Focals range from 14mm to 180mm with a 95mm outer diameter and come in PL or EF Mount! For bookings: rentals @greenwoodcine.com #cinematography #cinematographer #cinemalenses #dzofilm #dzo #directorofphotography #vintagelenses #canon #canonphotography #arri #red #sony #alexamini #alexaminilf #pyxis #alexa35 #cameradept #lens #cooke #fullframe

New in shop! @atlaslensco Mercury Series 1.5x Anamorphics 😍 Our set of 36, 42, 54, 72, 95, 138 has begun taking shape. With large format coverage up to Panavision FF/DXL 40.96x21.6mm and an unbelievable compact size, these new Atlas Mercury series lenses are talk of the town! Although they are a 1.5x squeeze, the bokeh is enhanced to match closer with 2x anamorphics. To note, the big improvement is the sharpness wide open at T2.2, no need to stop down to 2.8/4 split to hit the sweet spot! What we think is the the main star of the Mercuries is the warm amber flares, very distinctive to the Atlas Orion saturated blue flares. The flares are easy to control and match across the set. For a closer evaluation, the 36mm focus falloff starts earlier from the center than the 42mm and 72mm. Chromatic aberration in the corners is also more prominent in the 36mm, less in the 42mm and almost non-existent in the 72mm. Focus breathing across all is subtle and controlled. As seen in our projector charts, the 36mm has extensive barrel distortion but as to be expected due how wide of a lens it is. The 42mm suffers from this less, but the 72mm is extremely controlled when it comes to distortion. We are awaiting the arrival of the 54mm and 95mm which we believe will perform similar to the 72mm in terms of CA, falloff and distortion. Along with the 14-Blade Iris, lightweight robust construction, we feel that Atlas have really improved this line compared to the Orions, but we do recommend testing the entire set and seeing what focals match your needs! 36mm, 42mm, 72mm available now, 54mm, 95mm, 138mm focals available by summer 2024. For bookings contact rentals @greenwoodcine.com #atlasmercury #atlasanamorphic #anamorphiclenses #atlasorion #vintagelenses #cinematographer #cinematography #cinemalenses #dreamlens #instagood #photooftheday #sonyvenice #alexaminilf #arri #kowa #lomoanamorphic #cooke #redraptor #redkomodo #r3d #anamorphic #filmmaking #filmmakers #cameradepartment #filmcrew