Charlotte (@char.lotte.eta)

JNBY 25AW ​Collection ◽ ​Photographer ~ Sky @ssssskyyyyyy ◽ Just Naturally Be Yourself​ @jnbyofficial_​ #JNBY​ #sky ◽ @lacocomodels #lacocomodels @knownmodelmanagement

Pierrot-Éclair costume, 1926, and Rhythm, 1945, by Sonia Delaunay. ⠀ #SoniaDelaunay (1885–1979) was an #avantgarde artist who spent her life exploring #colour and #abstraction. She worked across painting, textiles, fashion, costume, typography, and interior design, bringing art into everyday life. From radical stage costumes and bold textile prints to ready-to-wear fashion and mosaics, her work defined some of the most innovative designs of the interwar years. ⠀ #PierrotÉclair #costume : The photograph shows Lizica Codreanu wearing Delaunay’s Pierrot-Éclair costume on the set of René Le Somptier’s film Le P’tit Parigot (1926). While retaining the broad silhouette, shoes, and collar of the traditional Pierrot, Delaunay reimagined the character through broken lines and a collar of three concentric circles, creating a sense of vibration and motion. It’s #simultanism off the canvas—contrasting colours and dynamic shapes animating the #body ⠀ #Rhythm captures Delaunay’s bold juxtapositions of curves and angles, vibrant #colour harmonies, and syncopated patterns, while repeated motifs create a dynamic, pulsing rhythm across the #painting © Estate of Sonia Delaunay

CAMILLA AND MARC SS25 The Art Critic is a tribute to resilience through creativity. Nine women from the art world share how art has shaped their lives and guided them through adversity.  “„  Photography @pavelgolik Styling @chanelle_xabregas Makeup @patrickglatthaar Hair @gillesdegivry  „ “ @camillaandmarc #camillaandmarc #theartcritic „ “ @silent_paris #silentparis #silentmodels​ @knownmodelmanagement “„  Artist @charlottemumm www.charlottemumm.com

Empress of India, 1965, by Frank Stella. ⠀ #FrankStella (1936–2024) reshaped postwar American painting by leaving out narration and expressive brushwork. A key figure in #Minimalism and early #HardEdge painting, he set a tone with his #BlackPaintings in the late 1950s. Throughout his practice, he kept pushing the format of painting- through #shapedcanvas, printmaking, relief, and eventually full-scale sculpture. ⠀ #EmpressOfIndia is part of his Notched-V series (1964–65). Built from four large chevron-shaped panels, the work is painted with metallic powder in polymer: browns and ochers shifting subtly across the structured surface. ⠀ “My #painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object... all I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion... What you see is what you see.” Frank Stella, 1966 ⠀ © Frank Stella / ARS, New York.

UNPRINT VOL.4 ANDY HARRINGTON X UNPRINT 𓍼 @unprintmagazine - a magazine where style is a story of rhythm rather than algorithm. It brings together multidisciplinary and often undisciplined personalities.  𓍼 Photographer @andyjharro Stylist @emmanuelledeluze Creative Director @pl_gr Makeup @nolwenn_quintin Hair @chatchatduloup Casting Director @emilieastrom Production @foudre_paris 𓍼 @silent_paris  @knownmodelmanagement

Spiritualist, 1973, by Helen Frankenthaler. #HelenFrankenthaler (USA, 1928–2011) was a pioneering figure in #AbstractExpressionism and a key innovator of the #ColorField movement. Renowned for her #soak #stain technique—pouring thinned paint onto raw canvas—she created luminous, large-scale compositions that blur the line between control and chance. Her method, she once said, came from “a combination of impatience, laziness, and innovation.” In #Spiritualist, layered washes of translucent #acrylic pigment drift across the #canvas like visual meditations. The visible weave of the fabric resists illusion, pulling the viewer between depth and surface. Short, calligraphic black lines add contrast and complexity. As she describes it: “One really beautiful wrist motion, that is synchronized with your head and heart, and you have it.” © Estate of Helen Frankenthaler / ARS, New York.

AURALEE ~  @auralee_tokyo ~ I can totally relate to that feeling "Days slip between cold and warm—each morning, a quiet gamble, with clothing dictated by the whims of the weather." Styling & Art Direction~  @charlottecolletcollet Casting~ @ben_grimes_casting Hair~  @josephpujalte  Make up~ @christinecorbel  Show Direction~  @shigekaneko.co.ltd Photo~ @collective_parade #AURALEE #SS26 ~  @silent_paris @knownmodelmanagement

Rising Green, 1972, by Lee Krasner #LeeKrasner (1908-1984) was an American painter and was a key figure of #AbstractExpressionism in the 1950s, Krasner continued to experiment in #abstract styles throughout her career. #RisingGreen manifests her longstanding interest in nature-based imagery, its leaflike forms suggesting powerful vegetation. On Long Island, she pursued a painterly engagement with #nature on a large scale, working in the spacious converted barn used previously by her late husband #JacksonPollock who died in 1956. “I like a canvas to breathe and be alive. Be #alive is the point.” © the artist Lee Krasner & The MET, New York

@aleijournal ​​📞 Excited to be part of Aleï Journal 14 — a magazine featuring photographs, art, and essays, highlighting personalities whose artistic practices are raw and singular. ___________ Photographer @renaudcambuzat Assisted by @pypr.me Art Direction @daphnemookherjee @melodiezagury Stylist @nellyemiliemarie Assisted by @zoeminardlievain Set Design @julialeighzagury Hair @gabrieldefries Casting @eb__agency_casting Production @altra_production ___________ ​Thanks to @silent_paris and @knownmodelmanagement

Wheatfield – A Confrontation, 1982, two-acre wheat field installation on the Battery Park landfill, New York City, by Agnes Denes. #AgnesDenes is a Hungarian-born American artist whose practice spans #conceptualart, #landart, and #ecologicalart. Known for her intellectually rigorous and deeply poetic approach, Denes explores the intersection of #philosophy, #science, and #environmentalconcern. Her work engages with systems of knowledge, the future of the planet, and the ethical responsibilities of humanity. She once described herself as “a visual philosopher,” mapping large ideas onto real landscapes. #Wheatfield - A #Confrontation (1982) involved clearing a rubble-strewn landfill near #WallStreet and the World Trade Center to plant and harvest a two-acre field of #wheat. For four months, the golden field grew in the heart of Manhattan’s financial district, bordered by skyscrapers and framed by the Statue of Liberty. The work confronted themes of #landuse, #foodproduction, #value, and #globalinequality—raising questions about misplaced priorities in a world of abundance and hunger. Denes called it “an intrusion into the citadel… a confrontation of high civilization and its misplaced priorities.” The wheat was later distributed globally as part of an international #hunger project. It remains one of the most iconic works of #publicart and a foundational gesture in the history of #environmentalart. © Courtesy Agnes Denes. Photo by John McGrall.

🟣 Miu Miu 🟣 Fall/Winter 2025 collection by Miuccia Prada is shaped as an evaluation of the feminine. 💜 Beyond happy to have walked the show 〰️ Miuccia Prada Stylist ▫️ @lottavolkova Makeup▫️ @patmcgrathreal Hair▫️ @guidopalau Casting▫️ @ashleybrokaw @miumiu #MiuMiu #MiuMiuFW25 💜 @silent_paris @knownmodelmanagement

Untitled, 2011–12​, installation view, Documenta 13​ in Kassel​ by Pierre Huyghe​. ​#PierreHuyghe is a French contemporary artist known for his immersive, ​#multisensory installations that blend biology, technology, and fiction. His work often ​incorporates ​#livingorganisms​ #artificialintelligence and ​#environmentalsystems to explore the boundaries between nature and culture. Through films, sculptures, and site-specific interventions, Huyghe creates evolving ​ecosystems​. ​He says that life is the core interest of his practice: “I’m interested in how to quantify the different variations of being alive…how to intensify the presence of things. ​ #Untitled (2011–12) shown at ​#Documenta13​ features a statue of a reclining female nude by Max Weber, likely from the 1930s, with a ​#beehive growing as a living mask on its head. The installation includes a female dog with ​#pinklegs and two puppies, along with other natural elements like bees, tadpoles, and wood ants. The bees, nourished by medicinal plants in the garden, pollinate both the internal and external environments, creating an evolving ​#ecosystem where nature and artifice blur. Photo​ and work © Pierre​ Huyghe